Piring Dance From Minangkabau West Sumatra

Dance the plate or in the Minangkabau language called Piriang Dance , is one of the Dance which originated from the Minangkabau people of West Sumatra is called the plate because the dancers dance dance while carrying a plate .

At first dance immemorial dishes created to give offerings to the gods when entering the harvest , but after the arrival of the religion of Islam in Minangkabau dance plate is no longer for worshiping the idol but aimed for crowd majlis - majlis attended by the officials of the king or the country , dance plates are also used in other crowded events such as the wedding ceremony .

Concerning the first time dance plate appearance is not known for sure , but it is believed that dance kepulaian plate has existed in Malay since more than 800 years ago . Dance dishes are also believed to have been there in western Sumatra and growing up in the days of Sri Wijaya . After the emergence of Majapahit in the 16th century who dropped Sri Wijaya , has pushed the plate dance developed countries to wither along with the other people sri runaway victory at the time. 

Piring Dance From Minangkabau West Sumatra

Dance sequences Plate

The art of dance on the plate can be done in various ways or later , it all depends on where the place or village in which the plate was performed dances . But not so much difference from Plate Dance performed from one place to another place , especially the concept , approach and style offerings . As a whole , to understand how a Plate Dance presented , below is the order or arrangement of an offering.

1 . Early preparation .
It was the custom that an offering should be commenced with art supplies neatly . Held before an offering , in addition to training to achieve proficiency , Plate Dance dancers must also have a good workout penafasan order not chaotic when making offerings .
By the day or future offerings , Plate Dance dancers must ensure that the plates which they will use to be in good condition . Plates are cracked or chipped should be replaced with another , so as not to endanger yourself or crowd watching. When the dancers also have to decide the number of dishes that will be used .
dance plate
Soon after the end of Silat Pulut offerings before the bride and groom , the plates will be arranged in a variety of shapes and composition in the presence of the bride and groom followed by the required amount Plate Dance dancer and fitness area . In the same period , Plate Dance dancers have been getting ready to sheathe two typical ring shape , which is one in the right hand and one at your left hand finger . The dancers then holding a plate or flat that is not cracked or chipped .

2 . Venturing dance
Plate Dance will begin with tambourine and gong played by the musicians . Plate Dance dancers will start with ' worship bride ' as much as three times as a sign of respect for the bride that is; worship worship bride bride hand in front of the left hand in worship bride on the right hand
dance plate

3 . when Dancing
Finished with three worship rank bridal , Plate Dance dancers will dance commences with reaching the plate in place in front of him and swung to the right and left hand followed tramp muzik played . Dancers will then stand up and initial tread or trample one by one piriring - plates that had been developed earlier as he was heading towards the bride and groom in front of him . In general , Plate Dance dancers will make sure that all the dishes that have set the dipijak . After all the dishes done dipijak , Plate Dance dancers will step stride with the original tread plates that had been developed earlier . Dancers should not postpone wedding .

In the same period both hands quest dihayun going to the right and to the left while producing sound ' ting ting ting ting ....... ' results knock fingers dancers who have disarung ring Dangan bottom plate . Every now and then , both hands are placed telapan plate will dipusing - are confused to up and down as well as if dizzying overhead musingkannya

4 . Ending the Dance
A presentation by someone Plate Dance dancers will be terminated if all the plates have been trampled and dancers cover their grain by closing worship or worship the bride once again . Also end with a closing worship three worship bride with the following composition ; worship worship bride bride hand right hand left hand side before the wedding worship
Meaning of procession Plate Dance

Plate Dance is said to be created from the " beautiful women were beautifully dressed , and walk with gentle courtesy and discipline when carrying plates of delicious food to offer to the gods as offerings . These ladies will be dancing while walking , and in the same time showing their skills to bring a plate of food that contain the " . The arrival of Islam has brought changes to the trust and the concept of this dance . Plate Dance is no longer offered to the gods , but for the majlis - majlis crowd that attended jointly by the kings or princes country .
The beauty and uniqueness Plate Dance has been pushed to the expansion of offerings among the commoners , ie dimajlis - majlis marriage involving persandingan . In this case , the concept is still the form of the equation , namely the couple is still regarded as the king of the ' King Day ' and a decent dedicated Plate Dance in front of him when biting .

Dance plate has a great role in the marriage customs of Minangkabau society . Basically , offerings sesebuah Plate Dance in majlis - majlis marriage is for entertainment purposes only . However, these offerings may play a role more than that . Plate Dance offerings in the majlis perkawinnan sesebuah be dirasai role by four parties , namely: the bride and groom to host the people crowded to the dancers themselves .

In general , colorful clothes and beautiful is it mandatory for a dance . But at the Dance Plate , it is enough to be dressed in Malay and bersamping . Dress color is also up to the dancers themselves to decide. However , bright colors such as red and yellow are often the choice to Plate Dance dancers kerana it easier to see by the audience .
dance plate
Musical instruments used to accompany the Plate Dance , enough to blow Tambourine and Gong alone . Gong is very important blow kerana he will serve as a guide to determine the pace and dancer for Dance plate motion . In general , the collection Tambourine and paraded accompany the bridal couple are given the responsibility to accompany offerings Plate Dance . However , in certain circumstances Plate Dance may also be accompanied by other instruments such as Talempong and genders .

That article discusses the art of dance plate or Tanang western Sumatra Minangkabau . Arts Culture hopefully original dance from the Minangkabau land can be maintained by the younger generation so that it can remain stable and do not become extinct .

Gambyong Dance Central Java

Indonesian Traditional Dances - Gambyong dance may be a dance that\'s served to welcome guests or initiate a marriage reception. Characteristic, forever opens with the piece pickax. appearance stunning and stylish dance once the dancers area unit ready to align with the rhythm of drums and motion gending.

Instruments: gender, drums kenong, kempul, and gong

Progress: starting Gambying term apparently originated from the name of a dancer taledhek. Dancer named Gambyong lived within the time of Sunan Paku Buwana IV in Surakarta. Dancers conjointly dsiebutkan within the book \"Cariyos Lelampahanipun\" by Suwargi R.Ng. Ronggowarsito (1803-1873) World Health Organization reveals the existence of a dancer named Gambyong ledhek has kemnahiran in dance and plangency during a voice that became the idol of tykes in those days.

Gambyong Dance

Dance
Dance choreography Gambyong for the most part focused on the utilization of footwork, body, arms
and head. The motion of the pinnacle and hands area unit sleek and controlled a specification
the dance Gambyong. Direction eyes moving to follow the direction of the hand with the fingers look, creating the dominant consider the hand motions Gambyong dance expression. The motion of the foot throughout walking stance embryo and correlate harmony.

For example, the motion srisig (standing on tiptoe and tiny steps) nacah oblique (left foot moves to the facet, followed by alternating or right foot placed before of the left leg, kengser (footwork sideways by shifting / palm position feet stay docked to lanati). Spsifik footwork on the dance Gambyong is motion embat or entrag, the knee position open as a result of mendhak moves down and up.

Cultivation of the pattern on the flooring at the flip Gambyong done rangklaian motion, ie once the motion of the transition series with a series of later motion. While the dancer position shift is typically done on motion coupling, particularly srisig, singket ukel karana, kengser, and nacah tilt. Besides the motion was carried on a series of runs (Mlaku have now) or the motion within the (mandheg have now).

Central Javanese Mask Dance Lengger

Indonesian Traditional Dances - From the name alone people have guessed that this dance using a mask. But who would have thought when the dancers are dressed in traditional lady was a man. Apparently the presence of men in this dance has a philosophy and a specific purpose.

Mask dance Lengger including traditional dances were introduced nearly a century in Central Java. This dance was originally pioneered in Hamlet Giyanti by prominent traditional art of Kecis Village, District Selomerto, namely Mr. Gondhowinangun in 1910.

The 60's dance was further developed by Alm. Ki Hadi Soewarno. This development makes Lengger dance masks look more attractive than a dance style smooth Solo or Yogya, and even tend to look like a dance style in East Java version of the story because it supposedly came from the kingdom of Kediri.

Central Javanese Mask Dance Lengger

Lengger from Javanese "elinga ngger" which means, "remember son". This dance is to give the message that everyone should always remember the Creator and doing good to others.

He said that this dance started when King UB who lost her daughter, Dewi Sekartaji, held a contest to reward for anyone who could find the princess. When the man who discovered her daughter's husband will be and if it will be her brother.

The competition which was followed by many knights ended up staying two participants left the Raden Panji Asmoro Build masquerading under the name of Yellow Flowers Joko Jenggala kingdom. One again, the King of the Kingdom Klono other side, the one who caused the princess escape because the king set her up.

In these searches, Joko Yellow Flower with bodyguards disguised as itinerant dancers move from one village to another. Plays the dancer was a man wearing a mask and dressed in women with improvised musical accompaniment. Apparently this dance in any pementasannya received a rousing welcome. Lengger so named, derived from the word dancer (dancer) and ger or tantrum (crowded or fussy).

Until a village dance Lengger has attracted the attention of Princess Dewi Sekartaji of hiding. But at the same time King Klono have also discovered the presence of the princess, her brother sent Tenggaron Retno who accompanied soldiers Goddess Sekartaji women to apply. But the proposal was rejected Goddess so that there was a fight and Retno Tenggaron won the Princess.

While King Klono and Yellow Flower Joko still demanding their rights to the king. Until he finally decided to keep both contestants were to fight. In the fight, Joko Yellow Flower, represented by the Knights succeeded in killing King Tawang Alun Klono. At the end of the story of Jim and Yellow Flower Goddess Sekartaji married to party with entertainment disemarakkan Lengger Mask Dance.
Dance Lengger that the development had a negative connotation because it began to lure lust packed and the audience was used to enjoy dance while intoxicated.

In this way Sunan Kalijaga teach manners, and Dance Lengger that was negative into a means of propaganda that Lengger until recently known as "elinga ngger" that teaches a dance to remember God.

Mask Dance Lengger today continues to survive to this day, the dance is usually danced by two people, a man wearing a mask and a woman eating traditional dress like a princess greatness of Java in the past. Dancers dancing around 10 minutes accompanied by xylophone music, saron, drums, gongs, and so on.

Even the few dance artists try to create a new dance adopted from Lengger Mask Dance. One of them kenyo Lengger, dance introduced by Studio Ngesti barrel.

Currently Lengger Dance unusual event staged every celebration, holidays, thanksgiving, and the other party of the people. Even more interesting to the public, Dance Lengger can also present a magical attraction smelled like lumping horse hung buyer desires.

Traditional Dances Merak of Central Java

Indonesian Traditional Dance's - Merak dance is one amongst a range of latest dance creations that categorical the lifetime of animals, particularly birds merak. Procedures and movement drawn from the lifetime of the They were appointed to the stage by Sundanese creator Raden Tjetje Somantri.

Merak the beast of chicken, soft fur and has her head sort of a crown. The lifetime of the they\'re perpetually developing his tail feathers to draw in feminine birds merak meninspirasikan R. Tjetje Merak Somantri to form it dance.

In the show, characterised in this it\'s visible from the garments worn sort of a feather motif dancers have merak. adult male and describe the form and color of her dress feathers merak; inexperienced blue and / or black. and a try of wings or tail wing representational process the they\'re being developed. Clear image of the they\'ll be sporting a crown placed on the top of every dancer.

Merak Dance

This dance is sometimes danced in unison, sometimes 3 dancers or it may be additional, every of that includes a operate as a feminine and male. Accompaniment tracks square measure songs Tigers Ucul gendingnya usual. specially motion scenes generally waditra bonang hit within the wood is incredibly exhausting to sound exhausting, it\'s a part of a movement of the they\'re creating out.

Many of the dances were created by Raden Tjetje Somantri, perhaps dance a dance Merak illustrious Indonesian and Bahasa Indonesia artists negeri.Tidak surprise that too, as well as Denpasar ASKI students produce an idea Swamp Manuk dance and movement is nearly sort of a dance Merak.

Merak dance could be a dance of creation of latest land created by Raden Pasundan Tjetjep Somantri within the Nineteen Fifties and created ualng by dra. Irawati urban center in 1965. many of us erroneously suppose that if the dance tells the story of the life and joy merak feminine, however the dance tells the story of a illustrious male charm merak dandy to impress the feminine.

The males can show the sweetness of the long tail feathers and colourful appealing to the feminine. Movement of the male that appears sort of a sleek dance to point out the charm of his best in order that the feminine was fascinated and continue their sex rituals.

Any meaty movement cheerful and happy, therefore dance is commonly used as a dance tribute to greet guests or the groom to the aisle.

The costumes square measure colourful peacock with a particular accent and most dominant characteristic is full of spangle wings that may be stretched by the movement of the dancer with a beautiful charm adds a sleek dance, similarly as crown embellished with peacock head known as a singer that may sway every dancer moves his head.

In any event peacock dance most often displayed primarily to welcome visiting high muckamuck or to introduce Indonesian culture, particularly the culture Pasundan to international level.

Traditional Dance Gandrung Banyuwangi

The word \"\" Gandrung \"\" outlined as public fascination Blambangan the agricultural to the rice deity Dewi Sri as that brought prosperity to the community.

Traditional Dance Gandrung Banyuwangi

History Of Gandrung Banyuwangi Dance
Art taken with Banyuwangi coincided with forest dibabadnya \"Tirtagondo\" (Tirta arum) to make capital replacement Balambangan pangpang (Ulu pangpang) on ​​the initiative of Mas Alit WHO was inaugurated on day, 1774 at Ulupangpang Likewise, among others, told by the elders Banyuwangi past.

Regarding the origin of art devoted Joh Scholte wrote in his paper embody the following: Originally he was roving youth to the country with the music player that plays drums and fly and as a present they got a present of rice they brought in an exceedingly bag. (Gandroeng Van Banyuwangi, 1926, Chapter \"Gandrung Men\").

What was written by Joh Scholte, the story isn\'t abundant totally different from the speech delivered by generations, that taken with originally performed by men carrying musical instruments like drums and a few percussion drum (fly). Their daily rounds of the places colonized by the remnants of the individuals Balambangan east (today embody district. Banyuwangi) whose variety is claimed to measure regarding 5 thousand inhabitants, owing to the war that the invasion of the corporate WHO is aided by Mataram and Madura in 1767 to Balambangan of Mangwi seize power, till the expiration of war Bayu sadistic, cruel and brutal won by the corporate on Oct eleven, 1772. it\'s same that the amount of individuals WHO died, escaped, captured, missing or indeterminate rimbanya Selong (discarded) by the corporate of over sixty thousand souls. whereas the remainder WHO live regarding 5 thousand individuals living homeless with a awfully unfortunate scenario disintegrated in scattered villages within the interior, and plenty of were belindung forests, created from oldsters, widows and youngsters WHO don\'t longer have oldsters. (been parentless piyatu) and additionally there\'s conjointly fled away to a different country. As to Bali, Mataram, Madura et al..

After the show was over taken with receive some quite reward from voters capable of rice or alternative crops and then on. and therefore the incontrovertible fact that it looks because the advantages, a contribution that may be distributed to those whose state is incredibly direful dipengungsian and is in want of help, whether or not they square measure seeking refuge within the country, within the interior, or the extant forest jungle-warfare despite all the suffering has been when.

Regarding people who put into effect living within the woods with this conspicuous  scenario, alluded to by C. Lekerkerker WHO wrote many events when Bayu be destroyed by the onslaught of the corporate on the date of Oct eleven, 1772, square measure as follows: On November seven, 1772, a complete of 2505 men and girls are given to the corporate, Van Wikkerman same that Schophoff been told drown prisoners men square measure suspect of waging a rampage and Greek deity the meat of his body Van Schaar. It conjointly same that the Madurese had confiscate the ladies and youngsters as a results of war. a number of people who managed to flee into the woods had died of their misery. that the air caused the rot corpses to nice distances. The others settled jungle-like forest; Pucang Kerep, the good Kali, evening and then on. and that they remained obstinate within the woods with all the suffering.

Thanks to the emergence of that is employed as a tool devoted struggle which each moment typically command performances by visiting the places colonized by the remnants of the those that board rural fragmented, within the interior, and even that\'s settled within the forests of the case concern, then they\'d come back home kekampung originally to begin a brand new body or a part of them joined the forest clearing Tirta Arum WHO then lived within the new capital engineered on the initiative of Mas Alit. when completion of the freshly created capital called Banyuwangi in accordance with the connotations of the name dibabad forest (Tirta-arum). From these statements it\'s clear that the aim of this art is born to avoid wasting the remains of individuals WHO had been killed out by the corporate and therefore the earth Belambangan make the ravaged east ravaged by invasion of the corporate (which these days includes the District of Banyuwangi) .

Devoted the primary girl illustrious to history is taken with Semi, somewhat boy WHO was then 10 years recent in 1895. consistent with the story credible , then Semi malady severe enough. Everything was done the far to the priest, however Spring was conjointly recovered. thus she Semi (Mak Midhah) vowed as \"sira Kadhung sane, sun dhadekaken Seblang, kadhung yo sing sing\" (If you are cured, I created you Seblang, if not thus not so). Apparently, Semi finally recovered and created Seblang well as launch a brand new section with ditarikannya taken with by girls.

According to historical records, the primary time taken with danced by men WHO dressed as girls and, consistent with Scholte (1927), the most instrument that accompanies the dance is devoted lanang drums. At that point, the string has been used. However, taken with men bit by bit disappeared from Banyuwangi circa Eighteen Nineties, allegedly as a result of Islam prohibits any type transvestisme or dress up like girls. However, dance crazy new man utterly disappeared in 1914, when the death of the last dancers, specifically Marsan.

According to some sources, the birth Gandrung pembabat supposed to entertain the forest, attended the ceremony asked for survivors, with relation to a haunted forest clearing.

The tradition carried Semi taken with This was followed by his sisters victimisation Gandrung name as her nom de guerre. Art is then growing across Banyuwangi and therefore the painting native specialties. ab initio taken with solely be danced by the descendants of crazy dancers before, however since the 1970\'s started lots of young ladies WHO aren\'t descendants taken with finding out dance and build it as a supply of resource additionally to the more and more desirous to maintain their existence since the tip of the century -20.

Traditional Dance Reog Ponorogo

Reog is one among the cultural arts that originated from East Java and therefore the northwest Ponorogo Reog considered truth home city. Ponorogo town gate was embellished by warok and gemblak figure, 2 figures World Health Organization have appeared at the time reog performed. Reog is one among the native culture in state remains terribly sturdy with things mystical and powerful mysticism. 

Traditional Dance Reog Ponorogo

Dance History Reog Ponorogo
There ar 5 versions of the favored story that developed within the community concerning the origins Reog and Warok , however one among the foremost renowned story is that the story of the rebellion Ki Ageng Kutu, a royal servant throughout Bhre Kertabhumi, the last ruling King of Majapahit within the century to-15. Ki Ageng lice can anger the powerful influence of the Majapahit king\'s married woman World Health Organization came from China, however it\'s additionally the wrath of the king within the government is corrupt, he saw that the ability of the Majapahit kingdom can finish. He then left the king and established the faculty wherever he tutored martial arts to young youngsters, science self immunity, and therefore the science of perfection within the hope that these young youngsters are the seed of the resurrection of the Majapahit kingdom once more. Aware that his forces ar too little to fight the royal troops Ki Ageng the political message sent through the humanities Lice Reog, that may be a \"satire\" to King Kertabhumi and his kingdom. Reog the way Ki performances Ageng epizoon build native resistance exploitation Reog quality.

In the show Reog displayed mask lion-shaped head, called \"Singa Barong\", the king of the jungle, that became an emblem for Kertabhumi, and higher than it\'s blocked in peacock feathers to correspond an enormous fan that symbolize the sturdy influence of his Chinese colleagues World Health Organization manage the over all motion- geriknya. Jatilan, vie by a bunch of dancers gemblak a piggyback ride became an emblem of the ability of the Majapahit Empire troops into comparison contrasts with warok force, behind the red clown mask that became the image for Ki Ageng Fleas, alone and sustain weight that reached a lot of masks Singabarong of fifty weight unit exploitation solely his teeth . Ki Ageng Fleas Reog quality eventually crystal rectifier Bhre Kertabhumi take action and attack perguruannya, rebellion by warok quickly overcome, and verboten to continue teaching school can warok. However, students still continue Ki Ageng ticks quietly. However, Reognya art itself is allowed to be staged as a result of the show has become standard among the folks, however the story features a new groove during which the another characters from traditional knowledge Kelono Sewandono Ponorogo that is, deity Songgolangit, and Sri Genthayu.

Official Version Reog Ponorogo plot now\'s the story of King Ponorogo World Health Organization intend applying for female offspring Kediri, Dewi Ragil Yellow, however on the means he was intercepted by King Singabarong of Kediri. Singabarong king\'s army consisted of peacocks and lions, whereas the King of the dominion of Ponorogo and his Deputy Kelono Single Anom, escorted by warok (men wearing black within the dance), and warok has deadly black art. the entire dance may be a dance of war between the dominion and therefore the Kingdom of Kediri Ponorogo, and cellular black art between them, the dancers during a \"trance\" dance once performed.

Until now folks Ponorogo solely follow what\'s their heritage as a really made cultural heritage. In his expertise art is copyright Reog human creations that kind the flow of the idea that there ar hereditary and awake. The ceremony additionally use terms that don\'t seem to be straightforward for lay folks to fill within the absence of a transparent lineage. they embrace Parental lineage and customary law still applies.

Bali Traditional Dance Pendet

Pendet created by 2 creative person island, I Wayan Rindi and atomic number 28 Ketut Reneng in 1950. initially Pendet dance may be a dance of worship that was exhibited at several temples, places of worship of Hindus in island, Indonesia. This dance symbolizes the hospitable the gods make up the flora and fauna. in step with Bahasa tradition, the dancers should Pendet unmarried  women, as a result of they carry within the dancing-serving sacred offerings to the gods. however bit by bit, over the days, the artists rework Pendet dance to \"welcome greeting\", however still contains components of the sacred-religious. Creator / creator of contemporary dance forms ar I Wayan Rindi in 1967.

Pendet Dance Bali

Pendet may be a statement of associate degree providing within the sort of dance. in contrast to dances performances that need intensive coaching, Pendet be danced by all folks, pemangkus men and girls, adults and women. This dance is tutored just by following the movement and barely exhausted the hamlets. Young women follow the movements of the additional senior girls United Nations agency perceive their responsibility to line a decent example.

Dance girl incorporates a pattern of motion is additional dynamic than Rejang Dance that was delivered in teams or pairs. typically displayed once Rejang Dance at the temple yard and usually facing toward the sacred (shrines) carrying ceremonial dress and every dancer brings sangku, jugs, bowls, and different offerings instrumentality. The ensemble orchestra that accompanies this Pendet dance is ensemble gong or ensemble palegongan, or ensemble Semar pagulingan. Pendet a mass dance which will be performed by four dancers, six dancers, eight or additional.